Vita

Yulia Deyneka, first princi­pal vio­la of the Staatskapelle Berlin sin­ce 2005, is also a ver­sa­ti­le cham­ber musi­ci­an and a pro­fes­sor of vio­la at the Barenboim-Said Academy in Berlin. As a soloist, she appears regu­lar­ly with various orche­s­tras. She is a foun­ding mem­ber of the String Quartet of the Staatskapelle Berlin and a mem­ber of the Boulez Ensemble.

Yulia Deyneka was born on the Russian island of Sakhalin in 1982 and grew up in Moscow. At the age of seven, she began taking vio­lin les­sons at the Gnessin Music School in Moscow, then at the Special Music School of the Tchaikovsky Conservatory in Moscow. There, in the class of Maria Sitkovskaya – herself a stu­dent of the legen­da­ry vio­lists Vadim Borisovsky and Fedor Drushinin – she beca­me fasci­na­ted by the viola’s sound; as a 14-year-old, she swit­ched to the vio­la for good. She then stu­di­ed with Alexander Bobrovsky at the Tchaikovsky Conservatory in Moscow and simul­ta­ne­ous­ly with Felix Schwarz at the Rostock Academy of Music for a diplo­ma. She pas­sed her con­cert exami­na­ti­on after stu­dy­ing with Wilfried Strehle at the Berlin University of the Arts.

 

Even while still a mem­ber of the Staatskapelle Berlin’s orches­tra aca­de­my, Daniel Barenboim beca­me her most important musi­cal men­tor, a rela­ti­ons­hip reflec­ted in joint cham­ber music per­for­man­ces and record­ings as well as world pre­mie­res, for examp­le that of Aribert Reimann’s Trio for coun­ter­te­nor, vio­la and pia­no (2018). For many years, she was a mem­ber of the West-Eastern Divan Orchestra, par­ti­ci­pa­ting in the his­to­ri­cal per­for­mance in Ramallah in 2005.

Yulia Deyneka has also per­for­med with con­duc­tors such as Pierre Boulez, Zubin Mehta and Sir Simon Rattle; she recei­ved major musi­cal impul­ses from col­la­bo­ra­ti­on with artists such as Martha Argerich, Yo-Yo Ma, Gidon Kremer, Maurizio Pollini, Radu Lupu, Yefim Bronfman and Jörg Widmann. Yulia Deyneka per­for­med as a soloist under the baton of Daniel Barenboim at Carnegie Hall in New York and at the Philharmonie de Paris with the Staatskapelle Berlin (Mozart’s Sinfonia Concertante); she also play­ed Don Quixote with Misha Maisky with the Orchestra of the Komische Oper Berlin under the baton of Massimo Zanetti. Under Andris Nelsons’ baton, she per­for­med Schnittke’s Concerto for Viola. In 2022, she gave the world pre­mie­re of Peter Eötvös’ pie­ce Respond for solo vio­la and orches­tra with the Staatskapelle Berlin under James Gaffigan at the Pierre Boulez Saal. There, she also gave world pre­mie­res of works by Matthias Pintscher and Olga Neuwirth during the 2020 pan­de­mic, which were broad­cast digitally.

With the String Quartet of the Staatskapelle Berlin, she per­for­med a Schubert cycle at the Pierre Boulez Saal in 2017/18, inclu­ding all of Schubert’s string quar­tets as well as the quin­tets with out­stan­ding guest artists such as the cel­list Frans Helmerson and the sopra­no Christiane Karg. During the 2018/19 sea­son, she pre­sen­ted a Brahms cycle with the String Quartet of the Staatskapelle Berlin and the pia­nist Elisabeth Leonskaja at the Pierre Boulez Saal and at the Théâtre des Champs-Élysées, fea­turing all the composer’s string quar­tets, the pia­no quar­tet and pia­no quin­tet. In 2023, a Janáček cycle fol­lo­wed, which also fea­tured the actor Udo Samel. In 2019, she appeared at the Mozartwoche in Salzburg, play­ing Mozart’s two pia­no quar­tets with Michael Barenboim, Kian Soltani and Daniel Barenboim as well as the “Kegelstatt Trio” with Daniel Ottensamer. In 2023, she retur­ned to the Mozartwoche with Elena Bashkirova.

 

Since the ope­ning of the Pierre Boulez Saal, Yulia Deyneka has play­ed regu­lar­ly with the Boulez Ensemble, which is dedi­ca­ted par­ti­cu­lar­ly to con­tem­pora­ry music. As its mem­ber, she has play­ed some of the most important pie­ces by Pierre Boulez, such as Le Marteau sans maît­re under the baton of François-Xavier Roth and Derive II under Daneil Barenboim’s baton in Berlin, New York and Pairs. During the 2019/20 sea­son, she play­ed Messagesquisse in the arran­ge­ment for solo vio­la and six vio­las as well as Éclat / Multiples under the baton of François-Xavier Roth. Luca Francesconi dedi­ca­ted a vio­la con­cer­to to Yulia Deyneka and Daniel Barenboim, but it has remai­ned unper­for­med due to the latter’s sta­te of health.

 

Yulia Deyneka’s record­ings can be heard regu­lar­ly via radio broad­casts and strea­ming. Together with François-Xavier Roth and the Boulez Ensemble, she recor­ded the vio­la arran­ge­ment of Boulez’ Messagesquisse (Peral). Three Character Pieces by David R. Coleman, which the com­po­ser wro­te espe­cial­ly for Yulia Deyneka, were released by NAXOS, and Mozart’s two pia­no quar­tets on Deutsche Grammophon. Together with the mezzo-soprano Magdalena Kožená and Sir Simon Rattle at the pia­no, she recor­ded the album Soirée for Pentatone in 2019. In 2022, Linn released a CD of the String Quartet of the Staatskapelle Berlin fea­turing quar­tets by Verdi, Puccini and Tchaikovsky.

Yulia Deyneka is also a com­mit­ted tea­cher: immedia­te­ly after com­ple­ting her stu­dies, she taught at the Rostock Music Academy for a year, and from 2006 to 2011 she taught at the music aca­de­my of the Barenboim-Said Foundation in Seville. Since 2016 she has been tea­ching vio­la at the Barenboim-Said Academy in Berlin, whe­re she was appoin­ted pro­fes­sor of vio­la in 2019. At the Staatskapelle Berlin, she men­tors the mem­bers of the orches­tra academy.

Vita

Yulia Deyneka, first princi­pal vio­la of the Staatskapelle Berlin sin­ce 2005, is also a ver­sa­ti­le cham­ber musi­ci­an and a pro­fes­sor of vio­la at the Barenboim-Said Academy in Berlin. As a soloist, she appears regu­lar­ly with various orche­s­tras. She is a foun­ding mem­ber of the String Quartet of the Staatskapelle Berlin and a mem­ber of the Boulez Ensemble.

Yulia Deyneka was born on the Russian island of Sakhalin in 1982 and grew up in Moscow. At the age of seven, she began taking vio­lin les­sons at the Gnessin Music School in Moscow, then at the Special Music School of the Tchaikovsky Conservatory in Moscow. There, in the class of Maria Sitkovskaya – herself a stu­dent of the legen­da­ry vio­lists Vadim Borisovsky and Fedor Drushinin – she beca­me fasci­na­ted by the viola’s sound; as a 14-year-old, she swit­ched to the vio­la for good. She then stu­di­ed with Alexander Bobrovsky at the Tchaikovsky Conservatory in Moscow and simul­ta­ne­ous­ly with Felix Schwarz at the Rostock Academy of Music for a diplo­ma. She pas­sed her con­cert exami­na­ti­on after stu­dy­ing with Wilfried Strehle at the Berlin University of the Arts.

 

Even while still a mem­ber of the Staatskapelle Berlin’s orches­tra aca­de­my, Daniel Barenboim beca­me her most important musi­cal men­tor, a rela­ti­ons­hip reflec­ted in joint cham­ber music per­for­man­ces and record­ings as well as world pre­mie­res, for examp­le that of Aribert Reimann’s Trio for coun­ter­te­nor, vio­la and pia­no (2018). For many years, she was a mem­ber of the West-Eastern Divan Orchestra, par­ti­ci­pa­ting in the his­to­ri­cal per­for­mance in Ramallah in 2005.

Yulia Deyneka has also per­for­med with con­duc­tors such as Pierre Boulez, Zubin Mehta and Sir Simon Rattle; she recei­ved major musi­cal impul­ses from col­la­bo­ra­ti­on with artists such as Martha Argerich, Yo-Yo Ma, Gidon Kremer, Maurizio Pollini, Radu Lupu, Yefim Bronfman and Jörg Widmann. Yulia Deyneka per­for­med as a soloist under the baton of Daniel Barenboim at Carnegie Hall in New York and at the Philharmonie de Paris with the Staatskapelle Berlin (Mozart’s Sinfonia Concertante); she also play­ed Don Quixote with Misha Maisky with the Orchestra of the Komische Oper Berlin under the baton of Massimo Zanetti. Under Andris Nelsons’ baton, she per­for­med Schnittke’s Concerto for Viola. In 2022, she gave the world pre­mie­re of Peter Eötvös’ pie­ce Respond for solo vio­la and orches­tra with the Staatskapelle Berlin under James Gaffigan at the Pierre Boulez Saal. There, she also gave world pre­mie­res of works by Matthias Pintscher and Olga Neuwirth during the 2020 pan­de­mic, which were broad­cast digitally.

With the String Quartet of the Staatskapelle Berlin, she per­for­med a Schubert cycle at the Pierre Boulez Saal in 2017/18, inclu­ding all of Schubert’s string quar­tets as well as the quin­tets with out­stan­ding guest artists such as the cel­list Frans Helmerson and the sopra­no Christiane Karg. During the 2018/19 sea­son, she pre­sen­ted a Brahms cycle with the String Quartet of the Staatskapelle Berlin and the pia­nist Elisabeth Leonskaja at the Pierre Boulez Saal and at the Théâtre des Champs-Élysées, fea­turing all the composer’s string quar­tets, the pia­no quar­tet and pia­no quin­tet. In 2023, a Janáček cycle fol­lo­wed, which also fea­tured the actor Udo Samel. In 2019, she appeared at the Mozartwoche in Salzburg, play­ing Mozart’s two pia­no quar­tets with Michael Barenboim, Kian Soltani and Daniel Barenboim as well as the “Kegelstatt Trio” with Daniel Ottensamer. In 2023, she retur­ned to the Mozartwoche with Elena Bashkirova.

 

Since the ope­ning of the Pierre Boulez Saal, Yulia Deyneka has play­ed regu­lar­ly with the Boulez Ensemble, which is dedi­ca­ted par­ti­cu­lar­ly to con­tem­pora­ry music. As its mem­ber, she has play­ed some of the most important pie­ces by Pierre Boulez, such as Le Marteau sans maît­re under the baton of François-Xavier Roth and Derive II under Daneil Barenboim’s baton in Berlin, New York and Pairs. During the 2019/20 sea­son, she play­ed Messagesquisse in the arran­ge­ment for solo vio­la and six vio­las as well as Éclat / Multiples under the baton of François-Xavier Roth. Luca Francesconi dedi­ca­ted a vio­la con­cer­to to Yulia Deyneka and Daniel Barenboim, but it has remai­ned unper­for­med due to the latter’s sta­te of health.

 

Yulia Deyneka’s record­ings can be heard regu­lar­ly via radio broad­casts and strea­ming. Together with François-Xavier Roth and the Boulez Ensemble, she recor­ded the vio­la arran­ge­ment of Boulez’ Messagesquisse (Peral). Three Character Pieces by David R. Coleman, which the com­po­ser wro­te espe­cial­ly for Yulia Deyneka, were released by NAXOS, and Mozart’s two pia­no quar­tets on Deutsche Grammophon. Together with the mezzo-soprano Magdalena Kožená and Sir Simon Rattle at the pia­no, she recor­ded the album Soirée for Pentatone in 2019. In 2022, Linn released a CD of the String Quartet of the Staatskapelle Berlin fea­turing quar­tets by Verdi, Puccini and Tchaikovsky.

 

Yulia Deyneka is also a com­mit­ted tea­cher: immedia­te­ly after com­ple­ting her stu­dies, she taught at the Rostock Music Academy for a year, and from 2006 to 2011 she taught at the music aca­de­my of the Barenboim-Said Foundation in Seville. Since 2016 she has been tea­ching vio­la at the Barenboim-Said Academy in Berlin, whe­re she was appoin­ted pro­fes­sor of vio­la in 2019. At the Staatskapelle Berlin, she men­tors the mem­bers of the orches­tra academy.